ULTRADISTANCIA COLOR MINES SERIES
Ultradistancia Color Mines is a photographic art series that delves into the world of mining through the use of satellite imagery. The series presents a captivating and one-of-a-kind look at some of the most impressive mines from all over the world, highlighting their vast scale and complexity.
The photographs in the series showcase the effect of mining on the surrounding landscape and environment, revealing the striking contrast between the natural world and the man-made structures of the mines. The images offer a unique and thought-provoking perspective on these incredible feats of human engineering and their impact on our planet.
About Ultradistancia Color Mines
Through astonishing color artworks, the series is a powerful and unparalleled visual representation of the mining industry, providing an in-depth examination of the human and environmental impact of mining. It is an insightful and thought-provoking look at the world of mining and how it shapes our planet. Ultradistancia Color Mines offers a distinct viewpoint on mining and its effect on our world and is a must-see for anyone interested in the mining industry or the environment.
BOR DOO COPPER COMPLEX - Bor, Serbia Serbia - 150 x 71 Black Gallery Frame
“Satellite images of our world are incredible on their own. But artist Federico Winer has taken aerial photography to a new level by portraying planet Earth as a mesmerizing kaleidoscope of geometric patterns and colors”.
— Gizmodo
VELADERO MINE. San Juan, Argentina - 180 x 85.9 - White Gallery Frame
The Huffington Post described “Ultradistancia” as a “whimsical understanding of travel…[that turns] the world into a petri dish of colors and shapes that requires no migration at all.”
— 6SQFT
ESCONDIDA-ZALDIVAR. Atacama Region, Chile - 150 x 71 cm - Black Gallery Frame
“Ultradistancia series looks like microchips on acid”
— Fast Company
FRANKE MINE - Antofagasta, Chile - 150 x 71 - Natural Gallery Frame
“An unconventional perspective of the earth, allowing the human eye a glimpse of that seen by the lens of computer cameras”
— ArchDaily
SPENCE MINE. Antofagasta, Chile - 150 x 71 cm - Acrylic
“He was drawn to this corner of our Earth because of the contrast between the human intervention on the land and the natural geography of the place.”
— Twyla
RIO HUAYPETUE Madre de Dios, Perù - 110 x 52 cm - White Frame with Mat