ULTRADISTANCIA BLACK MINES SERIES
About Ultradistancia Mines
As I gaze upon the sky, I behold the gods. But as I cast my gaze down to the earth, I uncover this figures. These deities and beasts are not inherently good or evil, but simply perplexed by our human existence, staring back at us from their respective realms.
In the ULTRADISTANCIA series MINES, open pit mines from around the world are transformed into captivating creatures carved from the very earth itself. High-resolution satellite images of Russian diamonds, North American iron ore, Australian gold, Argentine silver, and more are all reimagined as fascinating beings composed of the earth's depths.
After the launch of ULTRADISTANCIA in 2016, the acclaimed satellite art project that garnered the attention of critics and media, I began experimenting with digital craft techniques to bring these figures to life on the earth's surface.
Each piece of the MINES series is a real open pit mine captured by satellites, meticulously crafted without altering the original topography, to unveil the figures and personalities hidden within.
While the original ULTRADISTANCIA series explored the incredible patterns and geometries crafted by man and nature, as seen from above, and the possibility of traveling without movement through satellite imagery, MINES delves deeper, unveiling animalistic, anthropomorphic, and incredible figures in places where the hand of man has drastically altered the terrain.
It took me a shift in perspective, a higher vantage point, and a keen eye to uncover the MINES. Once discovered, they will be impossible to unsee.
Federico Winer
MUTANDA & DEZIWA. Katanga Province, DRC - 180 x 85 cm - White Frame with Mat
“Always in search of incredible patterns and geometries, naturally made by Mother Nature or produced by people, Ultradistancia is an invitation to discover from above, hidden forms from our human perception”.
— ArchDaily
MURRIN MURRIN - Western Australia, Australia - 110 x 82,5 cm - Natural Frame with Mat
“Federico’s latest series on mines is a hit with mining companies, all competing to commission Federico with works on their mines. Perhaps this is because is the first time that art has taken mines as an object and for a wealthy industry is a “must have”.
— SOAR Medium
BHP MNINIG AREA C - Pilbara, Australia - - 150 x 71 cm - Natural Gallery Frame
"Ultradistancia channels this whimsical understanding of travel into a stunning art project, turning the world into a petri dish of colors and shapes that requires no migration at all.
— The Huffington Post
LETLHAKANE. Central District, Botswana - 150 x 85 cm - Avrylic
"Winer’s newest series, Monsters Of Mine, focuses on the alien shapes created by open mines. Endless hours of travelling the world using Google Earth has led to a selection of eye-catching images of Russian diamond mines, North American iron ore mines, Australian gold mines and many more”
— OPUMO MAGAZINE
YANACOCHA MINE - Cajamarca, Perú - 180 x 85.9 cm - Natural Gallery Frame
"These complex works of art, many of which are commissioned by companies and institutions, are the result of endless hours of artistic skill and technical expertise. They represent a successful example of the intersection of art and a powerful industry that has not traditionally been associated with creativity and beauty."
Bloom Lake Mine in Canada for Champion iron Minerai de fer Quebec
Altan Tsagaan Ovoo (ATO) gold mine in Mongolia for collector.
La Coipa Mine in Chile for Kinross
Round Mountain Mine in Nevada, US for Kinross
Panuco Mine in Mexico for VIzsla Silver Corp
Navajo Mine in New Mexico for Forbes Magazine