ULTRADISTANCIA SELECTED SERIES
VOYAGER SERIES BLACK SERIES +MORE SERIES
I’ve always been interested in maps. The complexity of political maps, and the beauty of physical ones. They show mankind’s curiosity for our world, and the way we deal with our surroundings. From what is thought to be a schematic of the night sky found in the caves of Lascaux, dating to 16,500BCE, passing through the Babylonian clay tablets, to the maps I used when I was in school, and the ones I show to my students in the University today.
I view maps as a form of art, as a sublime interpretation of the world. As a visual artist, as a photographer, I'm always looking for patterns, forms, geometries, light, and color. Aerial photography and satellite imagery have expanded my ability to find these patterns, geometries, and colors, on the earth's surface.
About Ultradistancia Selected
Ultradistancia is my attempt at making sense of our world, using Google Earth as a starting point. As an avid voyager, Ultradistancia allows me to travel without moving, to scope the immensity of our planet from a computer screen, distort and experiment with forms. The whole world has become my canvas. The result is a kind of aesthetic geography that I want to share with others.
“Argentinian photographer Federico Winer uses Google Earth satellite images to play with the way we see our planet in his long-term project Ultradistancia.”
- The Guardian
PAMPAS IV - Buenos Aires, Argentina - 110 x 52 cm - White Frame with Mat - Installed in Jan Kossen Gallery NY
MUSEO Y BIBLIOTECA - Brasilia, Brazil - 110 x 52 cm - White Frame with Mat - Installed in Jan Kossen Gallery NY
“Winer manipulates satellite images to bring psychedelic hues to farmlands and freeways, sometimes rendering familiar landscapes totally unrecognizable. Even New York’s iconic Central Park looks like some kind of microscopic amoeba in Winer’s hands.”
— Fast Company
PAMPAS ROJAS - Buenos Aires, Argentina - 110 x 52 - White Frame with Mat
“At first glimpse, the images in artist Federico Winer‘s Ultradistancia series look like microchips on acid. In fact, they’re stills from Google Earth’s satellites”
MANHATTAN II - 150 x 71 cm - Acrylic
TABARJAL AL JAWF Al Jawf, Saudi Arabia - Ultradistancia Selected
BASRAH Basrah governorate, Irak - Ultradistancia Selected
AL MUSAHIMIYAH I. Al Musahimiyah, Saudi Arabia. - Ultradistancia Selected
UMM AL YABRUM Al Rayyan, Qatar - Ultradistancia Selected
ANTARNES II. Gujarat, India. - Ultradistancia Selected
ARGÜIN. Banc d'Arguin National Park, Mauritania - Ultradistancia Selected
CATUTI II. Minas Gerais, Brazil - Ultradistancia Selected
CUBA. Artemisa, Cuba - Ultradistancia Selected
ENTRE LOMAS II. Rio Negro, Argentina - Ultradistancia Selected
GREAT RIFT BORALE ALE Afar Region, Ethiopia - Ultradistancia Selected
TEL AVIV. Tel Aviv, Israel - Ultradistancia Selected
JAISALMER I. Rajastan, India - Ultradistancia Selected
JONES BEACH. New York, USA - Ultradistancia Selected
LARSEN. Wisconsin, USA - Ultradistancia Selected
MARTHA´S VINEYARD I. Massachusetts, USA. - Ultradistancia Selected
MENDOZA. Mendoza, Argentina - Ultradistancia Selected
MIAMI MOZAIC. Florida, USA - Ultradistancia Selected
MONTEVIDEO I. Montevideo, Uruguay - Ultradistancia Selected
NAPOLI. Nàpoles, Italy - Ultradistancia Selected
PAMPAS IV Córdoba, Argentina - Ultradistancia Selected
PAMPAS ROJAS. Buenos Aires, Argentina. - Ultradistancia Selected
SHAHDARA. New Delhi, India - Ultradistancia Selected
TOLEDO. Castilla-La Mancha, Spain - Ultradistancia Selected
UMM AL SHABRUM. Al Rayyan, Qatar - Ultradistancia Selected
UTTAM NAGAR Delhi, India - Ultradistancia Selected
VENICE III. Veneto, Italy - Ultradistancia Selected
ZAGREB. Zagreb, Croatia - Ultradistancia Selected